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Monika Stricker can lend materials an unexpected intensity. In this case, however, she has pulled the plug, so to speak, creating an installation that draws a soft-boiled picture of hysteria.

Which is appropriate. The ancient Greeks thought that hysterikos was particular to women, and, a century after it was refigured by psychoanalysis, Desperate Housewives gives the image of hysteria a new spin via the health spa, the cocktail lounge, and the waterbed.

The result is photogenic and entertaining, but finally has to do less with reality than with enabling the glamorous scenes that have long been guarantors of success in the drama industry. Hysteria has always been less a clearly defined disorder than a pliable motif for glamour and drama.

And the bulimic topography of Desperate Housewives still thrives on it. As a result, besides facial enhancements and clients for the counselling sector, this kind of TV show leaves behind plenty of product waste that needs picking up.

With scant materials Monika Stricker has taken on the task, managing to create something that moves beyond Wisteria Lane, Lady wants hot sex Dennison art.

Translated by Nicholas Grindell. If you continue to use this site we will assume that you are happy with it. Ok.